Orchestras and conductors
 
Orchestre Royal de Chambre de Wallonie
In 1958, Lola Bobesco created “Les Solistes de Bruxelles” [Brussels Soloists], renamed “Ensemble d’archets Eugène Ysaÿe” [Eugène Ysaÿe String Ensemble], now known as the Orchestre Royal de Chambre de Wallonie [Royal Chamber Orchestra of Wallonia].
The orchestra has worked together regularly with the biggest names in music on the most important international stages : José Van Dam, Mstislav Rostropovitch, Aldo Ciccolini, Mischa Maïski, Maurice André, Arthur Grumiaux, Philippe Hirschhorn, Georges Octors, Jean-Pierre Wallez, Gidon Kremer, Louis Lortie, Jian Wang, Ivry Gitlis, Antoine Tamestit, Henri Demarquette, Richard Galliano, the Modigliani Quartet, Jean-Philippe Collard, Gérard Caussé, Renaud and Gautier Capuçon, Augustin Dumay, Maria João Pires ; in Paris, Beijing, Abu Dhabi, Amsterdam, Rotterdam, Bucharest, Bayreuth, Munich, Luxembourg, Zurich, Geneva, Saint Petersburg, Brussels, etc.
Following the last Music Directors, Augustin Dumay (2003-2013) and Frank Braley (2014-2019), Vahan Mardirossian took the baton to continue their work of excellence.
The orchestra is a regular partner of the Queen Elisabeth Competition since more than twenty years, the Queen Elisabeth Music Chapel, and many Belgian and international music festivals. The Royal Chamber Orchestra of Wallonia performs often under the direction of Jean-François Chamberlan, its principal violinist.
In Mons, its city of residence, with Mars (Mons Arts de la Scène) [Mons Performing Arts], and the support of the City of Mons, the orchestra gives concerts with a diversified and original repertoire, with musicians of great renown, Belgian and foreign. It presents concerts for young audiences and offers services to young artists from the Mons Academy of Music and ARTS2 (École Supérieure des Arts).

www.orcw.be
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Jean-Jacques Kantorow
France, °1945
D’origine russe, Jean-Jacques Kantorow est né à Cannes où il commence à étudier le violon. A l’âge de 13 ans, il entre au Conservatoire National Supérieur de Musique de Paris, dans la classe de René Benedetti, où, un an plus tard, il obtient le Premier Prix de violon.

Entre 1962 et 1968, il remporte une dizaine de prix internationaux dont le Premier Prix Carl Flesh à Londres, le Premier Prix Paganini à Gênes, le Premier Prix du Concours International de Genève et obtient une bourse de la Fondation Sacha Schneider en 1970.

Avec le pianiste Jacques Rouvier et le violoncelliste Philippe Muller, Jean-Jacques Kantorow forme un trio avec lequel il remporte le Premier Grand Prix du Concours de Musique de Chambre de Colmar en 1970. Sa carrière de concertiste l’a amené dès le début à se produire sur les plus grandes scènes internationales : aux Etats-Unis, au Canada, dans les pays de l’Est, en Inde, au Japon, en Afrique… donnant plus de 100 concerts par an.

Désireux de rompre avec l’isolement du soliste et par le biais de la musique de chambre, il évolue naturellement vers la direction d’orchestre. Il dirige alors diverses formations étrangères, dont le Tapiola Sinfonietta dont il fut le Directeur Musical de 1993 à 2013. Jean-Jacques Kantorow donne également de nombreuses masterclasses dans le monde entier.
Pendant dix ans, il a aussi été le Directeur Musical de l’Orchestre d’Auvergne et, en 1994, il est nommé à la tête de l’Ensemble Orchestral de Paris. Jean-Jacques Kantorow poursuit parallèlement une carrière de soliste et de chambriste, trouvant ainsi l’équilibre dans la pluralité de ses activités musicales.

Jean-Jacques Kantorow enregistre en tant que soliste et en tant que chef pour des maisons de disques importantes, notamment pour Denon, Emi, Erato, CBS, Bis etc… Nombre de ses disques ont été primés par des récompenses internationales. Son enregistrement « Sonates Françaises » est sorti en janvier 2014 sous le label NoMadMusic. Il y interprète avec son fils Alexandre au piano, des œuvres méconnues du répertoire français (Chevillard, Fauré & Gedalge). Son dernier enregistrement est sorti en 2015 sous le label BIS. Il y dirige son fils Alexandre et le Tapiola Sinfonietta dans les concertos de Liszt.
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Belgian National Orchestra
In its quest, the Belgian National Orchestra aims to bring individuals and society together and reconcile them. This striving to unite has been our DNA and our guiding principle since its start in 1936. The Centre for Fine Arts in Brussels, which had just opened in 1936, became the home base. Can an orchestra or a musician imagine a better setting than the impressive Henri Le Boeuf hall in this iconic Art Deco temple ? The unparalleled acoustics have an irresistible attraction for world-famous soloists. This location naturally brings us closer to our partner BOZAR.
The mission of the Belgian National Orchestra also manifests itself in the collaboration with numerous partners. Together, we give promising talents every opportunity to unleash their potential. Brussels is the ideal melting pot for this. At the crossroads of cultures and the capital of Europe, we stimulate chemistry through innovation and experimentation.
The Belgian National Orchestra has acquired a special place in the cultural world. In the choice of its programmes, the emphasis is placed on prestigious and innovative works, but also on the discovery of lesser-known scores. In doing so, the Belgian National Orchestra maintains a fascinating dialogue with a varied audience. The orchestra is conducted by the American conductor Hugh Wolff, with Hans Waege as intendant and BOZAR as privileged partner.
World-renowned soloists are attracted to the concept. Vilde Frang, Gidon Kremer and Rolando Villazón are among them.

www.nationalorchestra.be
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Hugh Wolff
United States of America, °1953
Hugh Wolff is among the leading conductors of his generation. He has appeared with all the major North American orchestras including those of Chicago, New York, Boston, Philadelphia, Los Angeles, San Francisco, Toronto and Montreal and is much in demand throughout Europe, Asia and Australia.
Appointed Music Director of the Belgian National Orchestra in 2017, Wolff was principal conductor of the Frankfurt Radio Orchestra from 1997 to 2006. Together they toured Europe, Japan and China and appeared at the Salzburg Festival.
From 1988 to 2000, Wolff was principal conductor of the Saint Paul Chamber Orchestra, with whom he recorded extensively and toured the United States, Europe and the Far East.
A conductor whose interests span baroque performance practice to the championing of new works, he began his professional career in 1979 as associate conductor of the National Symphony Orchestra under Mstislav Rostropovich.
Wolff has recorded more than fifty discs, including the complete Beethoven symphonies and collaborations with Mstislav Rostropovich, Yo-Yo Ma, Joshua Bell, Hilary Hahn, and jazz guitarist John Scofield. Three times nominated for a Grammy Award, Wolff won the 2001 Cannes Classical Award.
Born in Paris to American parents, Wolff graduated from Harvard College, studied piano with Leon Fleisher, composition with George Crumb and Olivier Messiaen, and conducting with Charles Bruck. For the last decade he has been deeply involved in music education, teaching conducting at Boston’s New England Conservatory.
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